A photographic portrait of Vinayak Ballal Apte probably taken by his son, M.V. Apte
M.V. Apte with his Magic Lantern and boxes of Slides
Uddhav Mahadeo Apte during his student days
U.M. Apte during his early practice
U.M. Apte during his later practice, U.M. Apte & Sons
Vinayak Ballal Apte in his later years
The Poona Training College, where V.B. Apte took courses on agriculture and traditional medicines.
M.V Apte, the painter, with his easel painting a portrait
Certificate for Elementary Architecture awarded to Mahadeo Vinayak Apte in 1899
Photography assignment for the Government for 'Baby Week Exhibition' which spread
knowledge about
maternity homes and creches with life-sized models, 1925
Projecting Magic Lantern slides was a novel educational tool
This was the Apte family home, photo studio and the office of the Adult Education League (Praudh Shikshan Sansthan) on Tilak road, Pune
Blueprints of the proposed extension to the Apte family home.
The top floor was built
as a sanatorium for M.V. Apte's daughter
who was suffering from tuberculosis
A photograph of U.M. Apte's wedding procession showing the family home
with the first
floor extension
Architecture and photography were two interests that carried over to M.V. Apte's son, U.M. Apte. After completing his matriculation examination, Apte moved to Mumbai (then, Bombay) to pursue a Government Diploma in Architecture from the J. J. School of Art, which he received in the year 1937. Here he met R. G. Anand, with whom he started his practice Messrs. Anand and Aptay in Lahore - Anand's hometown. Apte first moved to Lahore to work as an architectural assistant with the British architect, Jones Rae Anderson and he continued to work there even as he founded his practice with Anand and successfully completed architectural projects such as the Rattan theatre. After the independence of India in 1947 and the subsequent partition, the young architects had to leave Lahore for Delhi.
Class photograph of the J. J. School of Arts, Batch of 1937 including architects U.M. Apte, and Perin Mistry. Claude Batley was the Principal at the time
Anand and Aptay along with the team of the Shahjehan Theatre after completion of construction in Lahore
U.M. Apte’s letter of application to N.W. Railways, Lahore. It describes his qualifications and perhaps his intent to work at a permanent job
A model and plan of a proposed National Independence Memorial by M/s Anand & Aptay
Business card of U.M. Apte after moving from Lahore
A letter by the Minister of road works, mines and Power department informing the young architects that there is as yet no call for a National Independence Memorial design
After leaving Lahore, Messrs Anand and Aptay had offices in New Delhi, Mumbai (Bombay) and Pune (Poona).
Apte didn't stay in Delhi for very long, however and moved to Pune where his family network could help to set up
his practice.
While in New Delhi, Anand and Aptay submitted a design for a National Independence Memorial and proposed the same
to a Government Official just a few days after Independence was declared.
U.M. Apte consequently moved his practice entirely to Maharashtra and worked independently of Mr. Anand though the
latter kept working under the name Anand & Aptay.
Construction site of The Western India Life Insurance building on Laxmi road in the early 1950s
U. M. Apte (right) on site along with engineer R.W. Nene (middle), who was his wife's cousin, and the contractor Mr. M.R. Phadke (left). Mr. Nene was a structural engineer from the College of Engineering Pune
Photograph of labourers passing on material from the bottom to the top. These rare photographs taken by U.M. Apte are an indicator of the influence that his father's photography career had on his life
Model of U.M. Apte's United Western Bank Ltd. building in Satara
Advertisement announcing a new waterproof facade cladding, Snowcem, for the Bombay Bharat Scouts and Guides Pavilion in Dadar, Mumbai; building designed by M/s. Godbole and Apte
Rendered view of Apte's design for the Sathe Biscuit Factory building in Pune
Thesis on the works of Architect U.M. Apte by architecture student Ravindra Nene. He was the son of R.W. Nene, the structural engineer who worked with Apte
The Index of the thesis reveals the diversity of U.M. Apte's projects
U.M. Apte had two sons who started their professional career by joining their father. The name of the firm then
changed to U.M. Apte and Sons.
Prakash Apte, U.M.Apte’s elder son, was an architect who graduated from the Sir J.J. School of Art in 1966. In in
the 1970s, Prakash Apte started his own firm which was based on Jangali Maharaj road, Pune.
Kiran Apte was a civil engineer and continued working at U.M. Apte & sons. He initially worked as a draughtsman
and went on site visits to outstation sites to keep track of the work.
Today, Ashwini Abhyankar, U.M Apte’s granddaughter, also an architect, is collecting and preserving the family legacy. The contributions of this family transcend the business of architecture, delving into education, photography, and painting. The Apte family members worked hard and found innovative ways to channel their passions, but their contributions are relatively unknown today. PAHA is committed to making their work available to a larger public.